#OnePercentShow

A photo by Simon Norfolk depicts a gate at the U.S.-Mexican border. In this night-time image, Norfolk captured the flight of moths in neon light, their trajectory resembling twisted strands of wire. “And what is the light?” Little wonders. “Is it what we think it is? I don’t think the light is even what Americans think it is, not to mention people from impoverished regions in Central America. I think we’re all trying to fly to that light too.” [Myles Little]

I would say that Jesse Chehak’s image of the High Line park under construction in New York City is the most optimistic. The High Line is a wonderful new part of the city that was partly funded by major donations from wealthy patrons. There are of course many examples of amazing philanthropy going on right now, from the Bill and Melinda Gates Foundation to Leonard Lauder. These kinds of “philanthro-capitalists” are a major, and welcome, feature of the new wealthy. [Jon Feinstein]

The way I see it is this sort of strong diagonal line created by the edge of the pool, gives a sense of motion, gives a sense of flow of this water as it's about the cascade over, seemingly over the side of a river, with the man in it. Of course that's not going to happen but within the logic of the image, there is risk in this image and the sense of complacency in this guy enjoying himself and easily floating and when you put that within the context of finance, it takes on a new meaning.” Myles Little

"Nina Berman's Hedge series offers glimpses into the cold world of Wall Street's fund managers. While we may think we understand wealth through television and tabloids, what we see represents only a drop in the bucket."