TIME

A photo by Simon Norfolk depicts a gate at the U.S.-Mexican border. In this night-time image, Norfolk captured the flight of moths in neon light, their trajectory resembling twisted strands of wire. “And what is the light?” Little wonders. “Is it what we think it is? I don’t think the light is even what Americans think it is, not to mention people from impoverished regions in Central America. I think we’re all trying to fly to that light too.” [Myles Little]

The way I see it is this sort of strong diagonal line created by the edge of the pool, gives a sense of motion, gives a sense of flow of this water as it's about the cascade over, seemingly over the side of a river, with the man in it. Of course that's not going to happen but within the logic of the image, there is risk in this image and the sense of complacency in this guy enjoying himself and easily floating and when you put that within the context of finance, it takes on a new meaning.” Myles Little

..."Viewers are invited to pour over details, to feel the potential energy in a space where it is all just about to happen. The actual performance is just a part of the overall awe-inspiring experience of going to the theatre – I believe that the space itself can be the event."... Opéra de Monte-Carlo, by David Leventi (Monaco) 2009

The photograph above is one of the forty spectacular high resolution images on show by thirty three of the world's leading photographers.

In South Africa for the first time, at its 55th location world-wide, the internationally acclaimed 1%: Privilege in a Time of Global Inequality Photography Exhibition is on show at the Chavonnes Battery Museum,Clock Tower, V&A Waterfront in Cape Town,from November 2016 until February 2017.

Opening Hours:
Mon - Wed: 9 am to 4 pm
Thu - Sun: 9 am to 6 pm
Tickets available at the door and Webtickets
FREE WIFI